An unusually offbeat movie slate opening Friday promises to provoke laughs mingled with wry insights, bitter loathing, blood-curdling screams and “you-go-girl” cheers.
First the funny stuff: Horror comedy Zombieland casts Woody Harrelson and Jesse Eisenberg (Adventureland) as humans surrounded by vacant-eyed flesh-eaters.
Current reviews:
9 Fuses Bleak Sci-Fi Story With Brilliant Visuals
Nightmare Nazi Dominates Tarantino’s Glorious Basterds
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astarred last fall in the David Koepp-directed <em>Ghoswn</em> widdling results but <em>Inven</em> mahe first time Gervais, co-creator of masterful English TV series <em>The ce</em>, hsumed full creative control on a feature film.</p> <p>
ehip/em>, Onominated she-geek Ellen Page (<em>Juno>) twith director Drew Barrymore to play a rebellious roller-derby skater. The Coen Brothers plumb their own childhood Jewish for dark humor in <em>SeriMen</em>.</>
hocumentary front, <em>We Lin Public</em> trthe rise and fall of web pioneer Josh Harris. The fascinating exploration of boom-time excesses opens in San Francisco and Minneapolis ahead of a gradual nationwide roll-out. Also in limited release: <em>Capism: A Love Story</em>, ich Michael Moore tries to collect bags of money from Wall Street big shots to repay their government bailout. The documentary targets the richest 1 percent of the population who control 95 percent of the nation’s wealth.</p> <p>
sthe week: <em>We Lin Public</em> des a complex portrait of a world-class web exhibitionist while the sharp <em>Zombnd</em> ket simple: Walking dead = bad, funny = good.</p> <p>
e about this week’s theatrical offerings and watch trailers below.</p> <p>
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eiew:</stronghere be a better bitchy-hot boy-killer than Megan Fox? The Transformers babe uses sex as a weapon, smart-bombing unwitting males with her best attributes even before she turns into a succubus in Jennifer’s Body. After her possession, she seduces and eats infatuated teens, then barfs up black liquid before returning to snark duty in the classroom. The horror-comedy hybrid bounces between bloody killings, scenes of wailing mourners and <a href=</a> -sthigh school hi-jinks in a way that proves jarring and ultimately unfulfilling, as every scary scene is quickly defanged by a joke. The ever-clever dialogue churned out by Cody is so hip it’s distracting, and doesn’t do much to settle the ride: You’ll either love the zippy lipping or you’ll hate it. — Lewis Wallace<br> <st
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